I rise today to take a stand against standing. At the end of four different performance events (two musical and two dramatic) this past week, I found myself sitting and applauding, when all others round me were vaulting to their feet. Three of these performances were good and clearly deserved a generous round of warm applause. One was outstanding, but it got the same acclaim as the other three since all four captured the now “de rigueur” standing “O.” I would claim that there is seldom much special about anything that happens all of the time.
Like its academic cousin, grade inflation, ovation inflation seems to spring from notions of misguided anti-elitism in society. If all receive the same "good" grade, differences are banished on the surface and no one’s self esteem will be crushed. Baloney! A one level fits all performance evaluation is no evaluation at all. One wonders if the egalitarian surge would be received as pleasurably if teachers or audiences were counseled to move their rewards down rather than up. I wonder how long recipients would put up with thunderous boos for all all of the time.
In the meanwhile I guess I’ll continue to vote with my seat and save my feet. Why not join me in standing against the herd by staying seated the next time ovation inflation strikes?
What think you about this issue?
Thomasina in Tom Stoppard's mind bending time warping play, ARCADIA, observes that when you stir raspberry jam into vanilla pudding it will first swirl in streaks but ultimately will turn the entire pudding pink. If you stir the pudding in the opposite direction, the jam will not separate back out again. --LIFE MOVES ONLY FORWARD--NEVER BACK!--
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1 comment:
Dead right! Although when you know that case and work with the director failing to stand can seem a little confrontational.
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