Clue (the
stage play)
Performed by Theatre Cedar Rapid Friday, Oct. 13, 2023
Right up front, let me say that I loved this production. I
detected a single minded, disciplined commitment by the director and cast to
play seriously inside the play without the kind of wink and nod to the audience
that I felt was present in CRT’s recent production of the The Play That Went
Wrong. The director here, Mic Evans, kept the over the top script from
going to the heads of the cast and kept them tightly controlled even when they
were literally dancing from room to room during the scenic bridges.
Second, the show profited greatly from an ingeniously designed
set and superb lighting, music, and sound effects. The rumble of thunder shook
the building and right on time lightning flashes accompanied it. Sharp intensified
spotlight stabs accompanied the actor’s “takes” at dramatic moments. Kudos even
to the stage crew as they smoothly enabled the actors to weave through the
moving walls and doors. A special mention
goes to Seth Engen as Mr. Green, who managed a magnificently controlled back
bend as a chandelier descended slowly onto him from above. This homage to Phantom
of the Opera was worth the price of the ticket all by itself.
I also couldn’t but help to think about how almost none of
technical artistry on view in the production would have even been possible in
the 1950’s when I started my career in the theatre. Today’s computer aided
systems were still in the future. Lighting
boards generally only had individually controlled dimmer handles or dials. We created
sound and music effects by dropping a needle on a record—it was actually a 78
not a 33 1/3. Spotlights had one color
based on a gelatin slide put in front of the lens. Light movement could happen
only as fast as human operators could physically adjust the placement of the
instrument or the individual dimmers. Now you can change a single spotlight’s
color and change its direction and focus by remote control.
A new problem we didn’t have to face “in the old days” was
the pressure that our current technical fireworks puts on actors to rise above glitz.
It is a pleasure to report that this cast did just that. Throughout the evening
they showed both physical stamina and performance skill. Standouts for me were
John Miersen, as the butler, Greg Smith as Colonel Mustard, and Lauren Galliart as the tarty Miss Scarlet in
a flaming red dress that was certainly the knock-out costume of the evening. Belle
Caney had multiple roles but made a real mark as the acerbic cook and later as
a floppy dead body.
I close with my delight at seeing a show that could attract
and please an audience composed of all age levels from children to adults. In
sum, this play “went right” and the
enjoyment was evident during the curtain call and as the audience left the
theatre. Get a ticket. It runs until October 29th.
Jdy
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